I was smiling as I peeled potatoes earlier
in the day, thinking about recent events I’ve attended. One evening I went to a
lecture at the Historic Asolo about the painter, Mark Rothko, given by
brilliant Ringling Museum curator, Matthew McLendon. On a subsequent
night, I watched the powerful and riveting Dancing with Jenkins at Sailor Circus. Key Chorale & Orchestra, The Sarasota-Manatee Dance
Alliance and the Sarasota Young Voices Chamber Choir performed this unique
joint production.
Potatoes, Rothko and Jenkins are not
the unlikely bedfellows they may first appear to be. It turns out that on many
Sarasota evenings, a stimulating lecture or a special dance performance could
easily follow my favorite mashed potatoes.
McLendon's
Rothko presentation re-sparked my contemplation of the artist’s shimmering
canvases that seem to say, "Dive in." The fact that the lecture
was given in a restored 18th century European theater just makes this already
fascinating evening, that much more extraordinary, but not atypical for life
around this town.
The same kind of wonderful marriage
between performance and setting took place underneath the trapeze of the big
top. For one evening only, fifty dancers from various local dance organizations
worked together to create this exciting event. This is just the sort of
collaboration the newly formed Sarasota-Manatee Dance alliance is all about.
And
for music? The singers and
musicians were moving, beautiful and cohesive, creating a fresh interplay of young
and mature voices with the kind of rich sound only a live orchestra could
provide.
But the pressing question of the night
for me was: How do you get fifty dancers with varying levels of experience,
age, ego and dance exposure to create a gorgeous thirteen section, seamless
work of art, with little practice and a makeshift dance floor? Ask
choreographer, Elizabeth Bergmann; clearly she’s a high-octane super talent who
knows what she’s doing.
When it was over, I grabbed a fresh
pretzel from the vendor on my way out of the circus arena; my hunger mirrored
my post-show enthusiasm. Just like at the Rothko lecture, I could feel
that the audience too, left Dancing with
Jenkins, energized, connected and somewhat altered by their hour spent on
the magic carpet ride of great entertainment.
If an event is good, that stage energy
comes home with us and infiltrates our everyday lives. Even the side kick
potato and lowly pretzel are newly savored and flavored by the buzz of creativity
that fills us up after leaving such perfect worlds as can be found on an
ordinary Sarasota night.
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Please read by other blog: http://whatdogsreallythink.blogspot.com/http://whatdogsreallythink.blogspot.com/